Showing posts with label Staples Center. Show all posts
Showing posts with label Staples Center. Show all posts
Sunday, October 27, 2019
We Got Tacos! Lakers Make It Easier for Fans to Win Free Eats This Year
You know the cry. Usually by the fourth quarter of Los Angeles Lakers games, if things are going right: "WE WANT TACOS!"
For years now, Jack in the Box has been a sponsor at Lakers games, offering up coupons for a free pair of their hard-shell Americanized tacos (normally 99 cents) if the score was right: not only did the Lakers have to win a game, but they'd have to keep their opponents to under 100 points.
But as the NBA becomes much more of a high-scoring enterprise, the threshold for getting those free tacos has been harder to meet. In an age of so many 3-pointers, that has become tough.
Now, on Sunday night — and I don't know if this is the new normal, but it should be — the rules had been changed. We attended the Lakers vs. Charlotte Hornets game, and the baseline for free tacos had become: Lakers win, and keep their opponents to under 111 points, and free tacos would be ours.
The final score: Lakers 120, Hornets 101. In the past, that would have just missed the score for free tacos.
Instead, on Sunday night, WE GOT TACOS! (BTW, I'm not a fan of the Jack in the Box tacos -- but Maria will be the beneficiary of my coupon.)
Monday, May 21, 2012
A Tale of Two (or More) Downtowns
(Flickr pic by Channone Arif.)
The L.A. Times weighed in Sunday with another story about the Downtown Los Angeles renaissance, but the angle was at least fresh: A look at how the Staples Center and L.A. Live have indeed brought life to downtown, yet the halo effect doesn't reach more than a block or two beyond the venues.
But that's OK, the story notes: The growing population downtown has injected its own life into the Historic Core and surrounding areas, triggering the new slew of restaurants and bars in the area. There's just not much cross-pollination, and for the downtown residents who don't want their favorite haunts turned into mini L.A. Live offshoots, that suits them just fine:
In that sense, this is the kind of weekend that boosters have dreamed about: A rare triple playoff at Staples, with the Dodgers playing just to the north in Chavez Ravine, the Amgen Tour of California cycle race rolling through the streets of downtown and "Don Giovanni" being presented at Walt Disney Concert Hall.
But these big-ticket events tell only part of the story. Urban planners and others say that smaller, organic neighborhood forces, the inventive mix of retail shops, restaurants, bars and galleries, have also been an important draw.
"Downtown has some great neighborhoods that have their own specific functions — Little Tokyo, the Arts District, the garment district," said Joel Kotkin, an urban studies fellow at Chapman University. "It happens best when it happens organically. The beauty of the Arts District is that it grew over years. And there's a niche, art types, who like that. There's been a market for that."
Kotkin and others said downtown is really a collection of neighborhoods — not a monolithic whole — each with its own vibe. And they are much less interconnected than many might think.
"Downtown L.A. is like the rest of the city," said Steven Erie, a political science professor at UC San Diego who has written about Los Angeles. "Just like you have a spread-out city, you have nodes in downtown. They're very weakly connected, and that's the way L.A. grew, and that's the way downtown was developed. There's multiple downtown experiences."
The differences are about location but also about culture. Amid the lofts, dive bars and art galleries along Spring and Main streets, some residents said they have little interest in the chain restaurants and mainstream entertainment offered at Staples and L.A. Live.
Read more here.
Monday, February 13, 2012
A Night at the Grammys: Whitney, Coldplay Wristbands and Collapsing Ice Sculptures
It was the second-most watched Grammy Awards of all time (39 million viewers), and we were there in person to witness the show. The Grammys wisely ditched most of the awards years ago, and has become an event known for "wow" performances and interesting pairings. This year was no exception, led of course by Jennifer Hudson's emotional tribute to Whitney Houston. She nailed it.
Meanwhile, I'm starting to think it's us, not them. Every time the Foo Fighters perform at the Grammys, they play outside the Staples in front of fans. I get it -- inside the Staples is a mostly industry crowd, and jaded at that. But I wonder if it's a coincidence, or if the Foos will only agree to play the show if they can be outside.
Nicki Minaj? Um.
Best part of the show for people inside the Staples Center: As the Civil Wars performed in the middle of the floor, we all heard a loud THUD. Looking up, we could see that a massive ice sculpture had just crashed on the floor. The workers stood there for a beat, dazed over what had happened, and then raced to clean up the mess (and mop the floor). Turns out it was part of Katy Perry's performance. When she came on stage, there were three ice sculptures still standing -- and folks at home were probably wondering, why three?
It's hard to get good pics on your camera phone when you're in a dark, massive indoor stadium. But here are a few more shots from this Sunday's Grammys:
Coldplay distributed 22,000 wristbands to attendees as they walked in the door. During a commercial break, we were instructed to wave our arms and wristbands in the air once they started lighting up. A microchip inside the bands must have been set off at the proper time... and here you go, a pretty neat sight to see inside the Staples Center.
Coldplay performs. I saw negative reviews online, but in person I thought the Rihanna/Coldplay combo worked.
Brian Wilson and the Beach Boys... not sure this tribute worked. Awkward covers by Maroon 5 and Foster the People.
Kenny Loggins at the afterparty. Kicks off with "Danger Zone," followed by "Footloose." And then... "I'd like to play some new stuff for you now." Time to dash to the bar.
At the end of the night, walking by the now-dark red carpet as workers dismantle the massive affair.
Monday, February 1, 2010
Last Night's Live Grammy Tweets: A Recap
From early ratings results, it looks like Sunday night's 52nd annual Grammy Awards on CBS performed strong -- up 44% from last year, and its best numbers in six years.
Sitting in the audience, I have to say, it was a pretty good show. Usually there are slow moments that drag, but this year the entire proceedings moved along rather fast. Stephen Colbert was an excellent choice to open the show -- he oughta just host the whole thing next year; but then again, perhaps the show moved swiftly this year beause there wasn't a host.
Best performance? Toss up between Beyonce and Pink -- but edge to Pink, whose acrobatics were amazing, and even more so when you realize that she wasn't lip synching. (Plus, as a bonus, it was great to watch the rich and famous freak out when a wet, nearly nude Pink soared above them, dripping all over.)
I wasn't planning on live Tweeting from the crowd, but I couldn't resist. Here's a roundup of my live coverage from last night:
OK. Ne-Yo, I'll wave my hands in the air. But I just DO care, Ne-Yo. I care.
#
At the Grammy afterparty. Jamie Foxx just jumped on stage with Ne-Yo. Please, people, stop encouraging his music career.
#
Who will win album of the year? It seems like Beyonce's night.
#
I fear Lady Gaga may accidentally stab someone with her sparkly Lady Liberty crown.
#
Cool that the Grammys are paying tribute to Les Paul. I mean, he was no Lady Gaga...
#
Ohmigod I think Maxwell just impregnated Roberta Flack on stage.
#
Beyonce a Grammy winner... and from the look of that dress, a Golden Globes winner as well! HEY-OOOOOO!!!!!!
#
Annual lecture from Recording Academy topper Neil Portnow. "Yo, don't download illegally."
#
Wyclef Jean: "There are no more record companies." The few remaining record execs in the audience: "Sigh."
#
Just recounted to @denisemartin that Mary J's "No More Drama" remains my fave Grammy perf of the past decade...
#
Bon Jovi on stage. Where are fellow Jerseyites Snooki and the Situation? GET EM ON STAGE!
#
Paris and Prince Michael on stage, accepting lifetime achiev. award for dad. But where's Blanket? FREE BLANKET.
#
Federally mandated appearance by Ryan Seacrest, check.
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Turns out the Zac Brown Band is made up of the castmembers from The CW's canceled "Reaper." Tyler Labine on lead vocals.
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Alice Cooper refers to the "voluptuous" Katy Perry, who's surprisingly conservative with tonight's attire.
#
Slash was blaming it on the alcohol long before T-Pain and Jamie Foxx.
#
Get used to that Kings of Leon song (just won Record of the Year) -- AC stations like KOST will be playing it for the next 30 years.
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Surprised the Grammys avoided the Lady Gaga-Lady Antebellum-perform-"Lady Marmalade" duet idea. C'mon, Erlich!
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Just spotted Phil Keoghan. Philiminator! Plus Lady Gaga just walked by in wacky sparkly seaquest outfit. Lady Gaga sporting fins.
#
Rare performance by the Black Eyed Peas. Those guys are like the JD Salinger of music!!
#
Zac Brown Band? Didn't they sing the song in "Eddie and the Cruisers" in 1984?
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Was rooting for Silversun Pickups, but kinda weird they were up for Best New Artist (on their 2nd major release)
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It's raining Pink on the Staples Center expensive seats...
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Apparently Pink is trying out for Cirque du Soleil...
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Damn, I don't know how anyone's gonna top Beyonce, strong.
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Sasha Fierce on stage, performing with the Beyonce Man Group
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Green Day performed with cast of their Broadway show; the karaoke/Idol/Glee-ization of pop culture continues.
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In the Grammy audience. Stephen Colbert strong open (folks, it's time to hire him as an awards show host!); makes first iPad gag of night
Tuesday, October 13, 2009
Ten Years Later: The Los Angeles Times Magazine Debacle, Remembered
On Oct. 10, 1999, an extra-thick edition of the Los Angeles Times Magazine landed with a big thud on subscribers' front lawns. But the secret behind the issue -- which touted the opening of the brand-new Staples Center -- would hit the L.A. Times newsroom with an even bigger thud a few weeks later.
To refresh your memory: The L.A. Times devoted that entire issue to the Staples Center, which was unusual to begin with. But then, the Staples Center wound up selling ads for the magazine, along with the LAT ad team, and both sides agreed to split the profits. That led to anger within the newsroom, as the idea that the subject of the magazine's stories would actually benefit financially from their publication remains a big journalism no-no.
Legendary former publisher Otis Chandler wrote a letter of support to the L.A. Times editorial team, and the late David Shaw was tapped to put together an exhaustive investigation into what went wrong. Publisher Kathryn Downing and Times Mirror CEO Mark Willes wound up apologizing for the dust-up. (Both had been criticized for a lack of understanding when it came to the editorial side of the newspaper business.)
In the wake of the uproar, Willes, Downing and editor Michael Parks all eventually departed.
In this age of shrinking newsrooms, dying publications and desperate attempts to save the print business by any means necessary, the handwringing over that issue almost seems quaint. But it was an early sign that things were about to change forever for both the Los Angeles Times -- starting with the 2000 acquisition of Times-Mirror by Tribune -- and the newspaper business as a whole.
Some might argue that the L.A. Times never recovered from the Staples Center/magazine mess, and it did seem to herald an age of disappointments for the newspaper. (Of course, to be fair, this has been an age of disappointments for just about every newspaper.) As print has struggled in the wake of new technologies, the once-mighty (and hugely profitable) Times has seen its circulation drop, its staff shrank, its multiple editions and bureaus were shut down and its size was reduced.
As for the L.A. Times Magazine, the once-weekly publication disappeared all together, before returning last year as a monthly -- but produced by the paper's advertising staff (an irony, in light of the Staples Center mess, pointed out by many).
Now, in what's probably coincidental timing, the L.A. Times Magazine is moving back to the paper's editorial umbrella. The LAT announced on Monday that Nancie Claire would replace Annie Gilbar as editor of the publication -- and that it would once again report to editor Russ Stanton.
So what was in that infamous 1999 issue of the Los Angeles Times magazine? Thanks to the Wayback Machine, here's a snapshot:
Tuesday, July 7, 2009
Franklin Avenue Live Tweets the Michael Jackson Memorial
Read from the bottom up... and if you haven't started following us yet, do so now -- Franklin Avenue is over here.
OK, we're all now officially jackasses for Tweeting this memorial. Good night!
12:42 from TweetDeck
Marlon: The most underrated Jackson.
12:38 from TweetDeck
Oops: Jackson kept his kids shrouded in anonymity for years... only for them to appear right now on stage, televised to the entire world.
12:32 from TweetDeck
"This is It" -- turns out to be an unfortunate title for the concerts that will now never happen...
12:28 from TweetDeck
Really? A "Britain's Got Talent" finalist? OK, maybe it's time to wrap things up, folks. I'm starting to fear a Sanjaya appearance.
12:20 from TweetDeck
This is all fine, but what are Jon & Kate doing? RIGHT NOW. C'mon @usweekly, get off your lazy ass and tell me.
12:12 from TweetDeck
Just a note now: At my memorial service, please don't reference my acquittal for child molestation. Probably not necessary. Thanks.
12:01 from TweetDeck
Holding out for Corey Feldman's turn at the podium.
11:59 from TweetDeck
Apparently MLK III's promised land is very well catered.
11:53 from TweetDeck
OK, enough Jermaine. BRING ME TITO.
11:51 from TweetDeck
Bam! First "Blanket" ref of the morning!! Thanks Brooke!
11:46 from TweetDeck
Does anyone know whether Brooke Shields gets custody of Emmanuel Lewis?
11:41 from TweetDeck
Sharpton to kids: "Ain't nothing strange about your daddy!" Kids to Sharpton: "Uhh, thanks?"
11:39 from TweetDeck
Oh I'm sure AEG is on it. Kaching! RT @geoffberkshire: When can I download these Stevie Wonder and Jennifer Hudson performances for my iPod?
11:26 from TweetDeck
Gonna have to switch off the ABC web stream. Anchor just asked a pundit how this compares to the outpouring after Tupac's death. Whaa?
11:23 from TweetDeck
Must admit, this is a pretty well-done memorial. Kinda wish I'd tried to get tix. Was turned off by the whole spectacle, but classy so far
11:11 from TweetDeck
Poor Mayor V -- as @laobserved notes, our camera-lovin' mayor is on vacation (with Lu!), missing all this: http://bit.ly/FA59A
11:03 from TweetDeck
Boom! First Tito reference of the morning! Thanks, Barry Gordy.
10:58 from TweetDeck
Anyone else relieved/surprised to see that Ryan Seacrest isn't hosting this?
10:55 from TweetDeck
Psst, cops are a little distracted at the moment. Who's up for a little looting?
10:39 from TweetDeck
If a billion people really watching this, then I suppose Staples really did get its money's worth. Global urge to buy office products now?
about 2 hours ago from TweetDeck
If this is really "In Memory of Michael Jackson," what's with the unflattering pic of the King of Pop on the Staples Center screen?
about 3 hours ago from TweetDeck
This seems like a good time to remind everyone that Jermaine Jackson named his 8-year-old girl "Jermajesty." Say it out loud.
about 3 hours ago from TweetDeck
AEG's Tim Leiweke has been making the media rounds... and I notice how his grin keeps getting bigger. Just like the "Ka-ching" in his ears.
about 3 hours ago from TweetDeck
Does anyone know if Bubbles is attending? And is Muscles still alive?
about 3 hours ago from TweetDeck
Thursday, May 22, 2008
"American Idol" vs. the Lakers
I can't remember a time when two major, nationally televised events were taking place across the street from one another. But Wednesday night, "American Idol" fans mixed with Lakers fans, as the "Idol" finale went live at the Nokia Theatre at L.A. Live, across the street from Staples Center -- where the Lakers met the Spurs for Game 1 of the Western Conference championships.
I managed to find $10 parking (not an easy feat, but there it was, not to far from $30 and $25 lots), and parked mostly among Lakers fans. Hiking to the Nokia, guys selling Lakers caps were standing near others passing out free T-shirts touting "Idol" finalist David Cook (still not sure why, or who those people were).
Inside, I got my first taste of the Nokia. Damn, it's huge. And lacking in much character. Two Kodak Theatres could fit in there, and that's not necessarily a good thing. The theatre may have been built to be acoustically perfect, but it's quite plain inside.
I got there late, but still caught the Idols as they performed with Bryan Adams, Graham Nash, One Republic and George Michael. I swear the screaming was loudest for the Jonas Brothers, and clearly I'm now old, because I have no patience for them.
In the end, the right contestant won -- David Cook, the "rocker" who provided much of the season's more interesting performances. Oh, and across the street, the right team won as well. Traffic heading home was a breeze as well, as both the Lakers playoff and Dodgers game were still going on.
(Above, the L.A. Times home page looks a lot like downtown did Wednesday night, with "Idol" and the Lakers side-by-side.)
Monday, February 11, 2008
Crappy Cell Phone Pics From the Grammys
Maria and I threw on some acceptable duds and headed down to the Staples Center on Sunday evening (sans Blogger Toddler -- sorry, BT) to catch the 50th Annual Grammy Awards.
Our seats were strong: Third row up from the floor, in the center of the audience... which meant we got to see celebs and performers walking up and down the aisle in front of us. As has become a Franklin Avenue tradition, I now present.. horrible camera phone shots from the Grammys. (And by the way, these are the good ones. I had to toss most of 'em.)

Coolest outfit of the night: Some guy decided to wear a jacket with a roster of his favorite pop divas.

The Grammy stage.

Robert Plant's hair.

Will.i.am gives a hip-hop tribute to the Grammys.

Tom Hanks throws on his glasses and signs a few Grammy programs for people in the front row of our section.

Maria with her former Rhino co-worker Masaki Koike, who won a Grammy yesterday in the Best Boxed or Special Limited Edition Package category (that's the one Maria was nominated in last year) for "What It Is! Funky Soul And Rare Grooves (1967-1977)." Congrats, Masaki!
Highlights from the show: Seeing Tina Turner still strut her stuff, with Beyonce, was very cool. Kayne West's tribute to his mother elicited a few tears from Maria. Amy Winehouse was great... but live via satellite, so the electricity wasn't felt in the room. Alicia Keys is a natural. Morris Day from The Time hasn't aged a bit; would have loved to have seen more of their reunion. I was hoping for more from the Cirque du Soleil/"Across the Universe" Beatles tribute. That Herbie Hancock-led orchestral performance of "Rhapsody in Blue" sounded great in the Staples Center... too bad that song will forever remind me of United Airlines. And Jason Bateman is a fantastic ad-libber.
Our seats were strong: Third row up from the floor, in the center of the audience... which meant we got to see celebs and performers walking up and down the aisle in front of us. As has become a Franklin Avenue tradition, I now present.. horrible camera phone shots from the Grammys. (And by the way, these are the good ones. I had to toss most of 'em.)
Coolest outfit of the night: Some guy decided to wear a jacket with a roster of his favorite pop divas.
The Grammy stage.
Robert Plant's hair.
Will.i.am gives a hip-hop tribute to the Grammys.
Tom Hanks throws on his glasses and signs a few Grammy programs for people in the front row of our section.
Maria with her former Rhino co-worker Masaki Koike, who won a Grammy yesterday in the Best Boxed or Special Limited Edition Package category (that's the one Maria was nominated in last year) for "What It Is! Funky Soul And Rare Grooves (1967-1977)." Congrats, Masaki!
Highlights from the show: Seeing Tina Turner still strut her stuff, with Beyonce, was very cool. Kayne West's tribute to his mother elicited a few tears from Maria. Amy Winehouse was great... but live via satellite, so the electricity wasn't felt in the room. Alicia Keys is a natural. Morris Day from The Time hasn't aged a bit; would have loved to have seen more of their reunion. I was hoping for more from the Cirque du Soleil/"Across the Universe" Beatles tribute. That Herbie Hancock-led orchestral performance of "Rhapsody in Blue" sounded great in the Staples Center... too bad that song will forever remind me of United Airlines. And Jason Bateman is a fantastic ad-libber.
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